Chronology of Works
I’ve been releasing music since 1998, beginning with cassettes. Between 2002 and 2012 I ran Quiet Records, releasing my own music and occasionally other people's work on CDr. Since then my practice has expanded into sound art, installations, web-based work and research. This is a selective chronology of that activity. It isn't exhaustive, but covers the work that made it into the public domain. I’ve left out many external links, as so many are now history but where a work still exists on this site or can be reliably linked to, I’ve linked to it.
As I update this page in 2026, I can see that a slowdown in activity became inevitable as I started a family and my research came to an end — “Life is what happens while you’re busy making other plans.”
In reverse chronological order:
2026
A project to bring my PhD portfolio works to life using web audio .
2025
Graphic score performed by Hearing Things at No Bounds, 11 October 2025.
Javascript remake of Infinite Music, an incommensurable loops player .
2024
A piece in the old style. Released as a standalone track on Bandcamp.
2020
Sonification as a Means to Generative Music, completed at the University of Sheffield.
2019
Installation in the Chancellor's Room at Sound Junction, University of Sheffield, April 2019.
Sonification of the shipping forecast. Part of my PhD portfolio.
Sonification of TfL Tube travel data. Part of my PhD portfolio.
Sonification of the UK government petition site.Part of my PhD portfolio.
2018
Sonification of CDIP buoy data.Part of my PhD portfolio.
Sonification of foreign exchange markets. Part of my PhD portfolio.
Sonification of flight data from OpenSky. Part of my PhD portfolio.
An ambient webpage composition inspired by a speculative Brian Eno tape setup.
2017
A virtual dawn chorus, another ambient webpage experiment.
Text-score for mixed voices. Collaboration with Juxtavoices, premiered at Sheffield General Cemetery Chapel, 23 September.
Generative Web Audio webpage experiment using Twitter data.
Choral sonification of Wikipedia. Part of my PhD portfolio.
An infinite version of John Cage's Song rendered by a Web Audio webpage.
A web composition based on Rachmaninov's All-Night Vigil time-stretched to the length of the night.
A sonification of the moon's position and phase. Part of my PhD portfolio.
2016
Sonification of gold prices. Part of my PhD portfolio.
A sonification of the National Grid. Part of my PhD portfolio.
2015
An experiment in ambient web pages.
Piece for Sound Junction Sheffield University, October 2015
Two scores displayed at The Proud Archivist, London, September 2015.
Electronic manipulations of the Juxtavoices choir for CD release and live performance, August 2015.
Recording accepted to Janek Schaefer's FoundSoundScape., March 2015
2014
Installation of live street microphone and multichannel delay, Bank Street Arts, Sheffield, May 2014.
Piece for Sound Junction 2014.
2013
Response to artwork by Geriant Edwards in Pure Data code. Part of the Out of Context: In Response book, edited by Rachel Smith and published by Bank Street Arts.
Multichannel installation as part of the Out of Context group show, Bank Street Arts, Sheffield, August–September 2013.
Photos by Andrew Conroy, poem by Simon Armitage. Part of The Motorway Service Station as a Destination In Its Own Right.
Five text scores published in the Closet Music book.
Algorithmic installation based on BBC weather feeds, Network Music Festival, Birmingham, February 2013.
2012
Installation piece as part of 12x12x12, Bank Street Arts, Sheffield, December 2012.
Two installation pieces as part of Karen Harvey's historian-in-residence project at Bank Street Arts, Sheffield, May 2012.
2011
Installation for The Engine Room: A Festival Celebrating the Life and Work of Cornelius Cardew, Morley Gallery, London, December 2011.
A video work by Jeamin Cha.
Piece for Catalyst 2, collaboration with Bank Street Poets, Bank Street Arts, Sheffield, July 2011.
Installation as part of the Quadraphonic group show, Bank Street Arts, Sheffield, May 2011.
Collaboration with Bryan Eccleshall and Angelina Ayers, Bank Street Arts, Sheffield.
Installation in Listen Up! group show at CADS, Sheffield, April 2011.
Installation at Bank Street Arts, April 2011.
For Unpleasant Over Drones at Resound, Falmouth, 2011.
2010
Piece for Sound Junction, Sheffield University, December 2010. Latterly featured as a Sonic Journey on thespace.org.
Installation in the Minutae group show at Bank Street Arts, December 2010.
Installation at Bank Street Arts, November–December 2010.
Piece for Sound Junction Concert, Sheffield University, May 2010.
Installation work exhibited as part of the Over to You show at Bank Street Arts, March–May 2010.
Piece for the Location, Location exhibition at Stramash Space, March 2010.
Soundtrack to a site-specific work installed at Portland Works by Rob Brown. Also played as part of Sound Fjord's Sonic Arts Jukebox, February 2010.
Installation at PRISM #5, January 2010.
2009
Track on the Slightly Off Kilter label's Honest Music for Dishonest Times #6 zine, March 2009. Placed in the British Library.
Installation at BLOC space, 6 February 2009.
Writing and music for the Adventures tape by GHOSTS, January 2009.
Earlier Works
CDr, Octoberman Recordings, 2006.
Track on Sensitive to Light compilation, Octoberman Recordings, 2006.
Self-released CDr, 2006.
CDr, Quiet Records, 2006.
Track on Munkyfest Compilation 7, 2005.
Quiet Records, 2005.
Two tracks on Afterglow Compilation, Octoberman Recordings, 2005.
Track on Munkyfest Compilation 6, 2004.
Track on Munkyfest Compilation 5, 2003.
CDr as Schopenhausen, Quiet Records, 2003.
CDr, Quiet Records, 2003.
CDr Quiet Records, 2002.
Track on Munkyfest Compilation 4, 2002.
Track on Keiths Kompilation, Keith Records, 2001.
Self-released CDr, 2001.
Self-released cassette, 2000.
Self-released cassette, 1999.
Self-released cassette, 1998.